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11051 - 11075 of 41313 items
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Evans Tri-Center Bongo Head 7 Inches
Evans
Laser-cut Tri-Center bongo heads are incredibly precise in cut and consistent in quality. The Tri-Center dot works to keep unwanted overtones from developing while enhancing a deep, clean fundamental. The soft texture feels good to your hands even after hours of play.
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Evans Tri-Center Bongo Head 9 Inches
Evans
Laser-cut Tri-Center bongo heads are incredibly precise in cut and consistent in quality. The Tri-Center dot works to keep unwanted overtones from developing while enhancing a deep, clean fundamental. The soft texture feels good to your hands even after hours of play.
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Evans Utility Drum Key
Evans
The Evans Utility Tuning Key incorporates a broad range of features that make it indispensable. The key features flat and Phillips screwdrivers, bottle openers, a small blade, and a fitted carrying case. The locking, fold-out drum key can withstand the intense torque necessary for marching head tuning, while the long stainless steel shaft will clear hardware. The ergonomic handle is built from high-grade die-cast aluminum.
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Evans Wing Nut Drum Key
Evans
Ask a working drummer where the drum key has gone and you may hear the wry reply: Look under the bass drum! Those dark recesses are the Bermuda Triangle of the drum world.
The introduction of the Evans Wing Nut Drum Key puts drum tuning keys in clear view. A carefully threaded 8mm bore enables use as a cymbal wing nut and a drum key. An ergonomic grip provides maximum comfort and no-compromise drum key action, while solid construction ensures the unit will see action as a cymbal wing nut, gig after gig.
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Event ALP5 Active Linear Phase 5 Monitor - Pair
Event
The Event ALP5 Phase 5 monitors are driven by 80 watts of biamplified power for smoother response at low level playback. Time- and phase-corrected driver alignment with corrective circuitry, LF response down to 53Hz @ -3dB, and MDF cabinet construction make these monitors an exceptional buy and solid choice for reliable mix monitoring in small studio spaces.
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Event S100 Studio Subwoofer
Event
The Event S100 is a small but mighty low frequency subwoofer monitor system that can help transform your studio sound from meek into magnificent. With 100 Watts of power dedicated entirely to low frequency reproduction, a speaker cabinet that features a floor-coupled design to provide maximum volume output, and a time-proven 8" Low Frequency driver that delivers clean, clear, powerful low end, the S100 is the ideal way to bring full-range performance to your existing small-footprint monitor system.
The S100 Studio Subwoofer works with virtually any active monitor, including, of course, the Event ALP-5 Active Linear Phase Biamplified Monitor. Pass-through audio jacks on the Event S100 subwoofer make hookup a snap simply set the audio speaker on the floor, connect the cables, and let er rip! You won't believe how BIG your sound will be! And just in case the neighbors make a little noise of their own, the system includes a handy footswitch that lets you mute the output with a tap of your toe.
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Event Studio Precision 6 Active Monitors (Pair)
Event
Boasting many of the same features as their big brother, the Studio Precision 8s, these high-end monitors utilize a 6.5", mineral-impregnated polypropylene cone low-frequency driver. The neodymium magnet gives the driver exceptionally low distortion characteristics, makes it stronger, and provides a greater level of output efficiency than a traditional woofer. The LF driver is paired with a 1" soft dome, high-frequency radiator that expands the stereo soundstage compared to previous models. The HF driver also has a neodymium magnet and produces a broad, flat radiation pattern that doesn't require corrective equalization. This results in a large sweet spot, so the mix position can be very personal, or shared with a larger group. The dual, large-diameter, linear-flow bass ports make for a deeper and more accurate low frequency response than similar-sized systems. The powerful amplifier delivers 280W per speaker(200W LF driver/80W HF driver). The custom-designed circuitry features low-noise semiconductors and audio-grade film capacitors for enhanced dynamic range as well as lower noise and distortion. The unit also includes continuously variable low- and high-frequency trim controls, a continuously variable input sensitivity control, and a switchable 80Hz high pass filter. Balanced XLR and 1/4" inputs are provided for easy connection.
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Event Studio Precision 8 Powered Monitors
Event
With the Event Studio Precision 8 Powered Monitors, the engineers at Event Electronics have come up with a totally new design that surpasses anything they've done to date. The Studio Precision 8 monitors bring a whole new dimension to the direct field monitoring experience.
Tight, punchy, in-your-chest bass
First on the list for Event was a commitment to provide unsurpassed low-frequency response. That spawned the development of a custom 8" polypropylene cone driver (complete with neodymium magnet) an exceptional performer that boasts ultralow distortion characteristics, incredible strength, and more output-per-watt than traditional woofer designs.
Next, the enclosure had to have dual ports. But not just any ported enclosure would do. Hidden behind the front baffle is a unique port design that provides exceptional low-frequency coupling into the room, low-distortion output, and superior low-frequency transient response. You can truly feel the tremendous LF response not just hear it.
The combination of the drivers, ports, and enclosure allow accurate reproduction of percussion and bass instruments without introducing new overtones or artificially hyped frequencies.
Soaring highs, expansive soundscape
The soft-dome neodymium high-frequency driver produces a broad, flat radiation pattern that doesn't require corrective equalization (which adds tonal coloration and robs an amplifier of headroom). The driver creates an expanded stereo soundstage that's enormous and has incredibly precise imaging with even subtle panning movements easily discernable.
High-powered performance
The biamplified Studio Precision 8 speakers deliver 280W per speaker (200W LF driver/80W HF driver) so you'll always have plenty of headroom for even the most demanding applications. The amplifier circuitry uses low-noise semiconductors and audio-grade film capacitors, giving the system enhanced dynamic range as well as exceptionally low noise and low distortion characteristics. Toroidal transformers greatly reduce mechanical and electrical noise.
Topping things off are continuously variable input sensitivity plus low- and high-frequency trim controls. There's also a switchable 80Hz high-pass filter for bass management in surround-sound applications. And for easy connection, there are both balanced XLR and 1/4" inputs.
3/4" MDF cabinets ensure that the sound emanating from the speakers is free from artificial tones created by unwanted resonance.
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Event TR6 Tuned Reference 6 Active Monitors
Event
The Event TR6 Tuned Reference 6 Active Monitors are perfect for the small sound studio. 6.5" mineral-filled polypropylene cone LF drivers with 1-1/2" voice coils and damped rubber surrounds, 1" ferrofluid-cooled natural silk-dome tweeters, and 2.6kHz active 4th-order crossovers provide peerless monitoring accuracy for amazingly low outlay. 106dB output is way higher than speakers with comparable wattage, 80W biamplified 50W low frequency and 30W high frequency. Tuned to provide flat frequency response for a true sonic reference when mixing.
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Event Tuned Reference 8 TR8 Active Monitors
Event
The Event Tuned Reference 8 TR8 Active Monitors biamplified system delivers stunning sound quality for a stunningly low price. The TR8 features the same ferrofluid-cooled natural silk-dome tweeter and 8" polypropylene cone used on the award-winning 20/20bas monitors. A powerful amp and active fourth-order crossover deliver impeccable sound. Magnetically shielded. Protection circuitry for RF interference, output current limiting, over temperature, and turn off/on transients. Balanced XLR and 1/4" inputs; unbalanced RCA inputs. Power on and clip LEDs. 35Hz-20kHz frequency response. 10-1/4"W x 14-3/4"H x 11-3/4"D.
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Event Tuned Reference 8XL Biamplified Monitors
Event
The Event Tuned Reference 8XL Biamplified Monitors are intended for the monitoring environment that requires high volume levels. They use the same design as the original TR8 with powerful independent amplifiers that deliver 150W of biamplified (100W LF; 50W HF) power to each monitor. The amplifiers use a high-performance toroidal transformer for superior noise characteristics and have an LED power indicator. Design employs a 2.6kHz, active fourth-order crossover. The Tuned Reference also has RF interference, magnetic shielding, output current limiting, over temperature, turn-on/off transients, subsonic filter, and internal fuse protection. 8" LF driver has a mineral-filled polypropylene cone with 1-1/2" diameter high-temperature voice coil and damped rubber surround, is coupled with a 1" ferrofluid-cooled silk dome HF driver. The monitors include balanced XLR and 1/4" inputs, as well as unbalanced RCA ins. Frequency response: 35Hz - 20kHz, 3dB (-2dB @ 38Hz), ref. 500Hz.
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Eventide Anthology II Pro Tools Plug-In Bundle Recording Software
Eventide
Eventide Anthology effects are used daily on top recording and post-production projects and Anthology II includes the entire Anthology bundle, plus six new essential production tools to round out the collection. The Anthology II bundle contains all the plug-ins you need for your next Pro Tools TDM project.
EQ65 Filter Set
Faithfully recreates the sound and function of the vintage analog filter set, ideal for fixing problematic tracks and creative applications. It includes high- and low-cut 18dB/octave filters and 2-band reject or band pass filters with variable depth; all 48-bit precision processing.
E-Channel
The channel strip with a user configurable signal path, optimized for multiple instances. E-Channel includes a gate, compressor/limiter with sidechain, and five bands of 48-bit precision parametric equalization.
Ultra-Channel
Deluxe channel strip with a user configurable signal path. Ultra-Channel features a gate, de-esser, Omnipressor or compressor/limiter with sidechain, five bands of 48-bit parametric equalization, stereo delays, and the Harmonizer micropitch shifter for thickening.
EQ45 Parametric Equalizer
A faithful recreation of the vintage analog parametric equalizer, including high- and low-cut 12dB/octave filters and four full bands of EQ with continuously variable bandwidth, frequency, boost and cut; all with 48-bit processing.
Precision Time Align
Offers precise positive or negative time alignment of individual tracks. Useful for bringing close-miked drums, overhead mics, and room mics into phase alignment.
Quadravox
Optimized for multiple instances, offers four voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control. A unique creation tool, Quadravox features the Notation Grid which allows graphic placement of notes on a musical staff.
Instant Phaser
Simulates the world's first phaser, a single-function analog processor featuring a sweeping filter bank. Led Zeppelin loved the original so much, they offered to endorse the product. Listen to Kashmir to hear the original.
Instant Flanger
The plug-in recreation of one of the first hardware products to faithfully simulate tape flanging. The plug-in provides the ability to choose or combine modulation sources, including the LFO, or input signal (envelope follower), or manual sweep (which can be controlled by MIDI).
Omnipressor
A dynamics processor with an attitude. Dubbed the Omnipressor because of its unique ability to both compress and expand audio, it is capable of extreme compression, limiting, expanding, and dynamic reversal. Widely used on hit records throughout the last three decades, one of the first customers was a young Brian May, lead guitarist of Queen. With the Omnipre
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Eventide Clockworks Legacy TDM Plug-in
Eventide
Includes the Omnipressor, Instant Phaser, H910 Harmonizer effects processor, Instant Flanger, and the H949 pitch shifter. These products have been painstakingly rendered by the engineers at Eventide to faithfully re-create in unrelenting detail the unique character of each of these dedicated processors. Full automation and MIDI control, and control surface support have been added to take full advantage of the power and flexibility of Pro Tools.
The Omnipressor (1971-1984) is a compressor with an attitude. Dubbed the Omnipressor, because it simultaneously compresses and expands, it has been widely used on hit records throughout the last 30 years. One of the first users was Brian May, lead guitarist of Queen. His tone was never the same again.
The Instant Phaser (1971-1977) is the plug-in based on the very first phaser, a single-function analog processor featuring a sweeping filter bank. Led Zeppelin loved it so much, they offered to endorse the product. Take a close listen to "Kashmir" to hear the original in action.
The H910 (1975-1984), is a plug-in re-creation of the very first Harmonizer effects processor, adopted by industry luminaries like Tony Visconti who used it to create the unique snare sound on Bowie's Young Americans, Low, and Lodger. Frank Zappa used the H910 in his guitar rig.
The Instant Flanger (1976-1984) is the plug-in re-creation of one of the first hardware products to re-create flanging. It provides the ability to choose or combine modulation sources together including the LFO, or input signal (envelope follower), or manual sweep, which can be controlled by MIDI.
The H949 (1977-1984) took pitch changing further than ever before. This plug-in re-creates the unique random feature which creates slight variations in delay resulting in a less mechanical sound. The original can be heard on countless hit records of the last 25 years. Jimmy Page used the H949 in his guitar rig.
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Eventide H7600 Ultra-Harmonizer Effects Processor
Eventide
The Eventide H7600 Ultra-Harmonizer Effects Processor provides nearly 1100 programs, a 174-second sampler, and sorting capabilities for unprecedented stereo effects processing prowess. The H7600 has more power than its predecessor (the DSP7000 series), has a new operating system, and a new search function that provides instant access to a deep catalog of professional effects. Every preset on the H7600 Ultra-Harmonizer is its own unique algorithm made up of a combination of effects from 230 stereo effects modules. Eventide's exclusive Building Block Architecture lets you create your own unique preset-algorithms as well. The H7600 comes with PC and Mac preset development software. It comes with AES/EBU, S/PDIF, word clock digital I/O, and two analog I/O channels with XLR and hi-Z jacks.
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Eventide H8000FW 8-Channel Ultra-Harmonizer Effects Processor
Eventide
The Eventide H8000FW Ultra-Harmonizer 8-Channel Effects Processor provides high-quality 24-bit audio performance and over 1,600 preset effects algorithms including presets for 5.1 surround sound. It features UltraShifter, Eventide's most natural-sounding, formant-corrected pitch changer which is optimized for voice and includes automatic pitch correction. It also comes with twelve channels of AES/EBU, ADAT, S/PDIF, and FireWire digital I/O, up to 96kHz sampling frequency, 174-second mono sampler with looping, beat-sync tools, and four channels of XLR/TRS analog inputs. Also comes with search-engine functionality for easier preset sorting, Monolithic Tandem mode for running one large algorithm using two DSP chips, building-block custom effects architecture, and ultra-versatile anything-to-anything routing. FireWire ports deliver computer interactivity with graphic computer editor/development tools and routing software.
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Eventide ModFactor Modulation Guitar Effects Pedal
Eventide
The Eventide Modfactor features 10 modulation effects available in mono or stereo, including Phaser, Flanger, Chorus, Polymod, TremoloPan, Undulator, Vibrato, Q-Wah, ModFilter and RingMod. With studio quality sound and extremely flexible control options, you may never need another modulation effects pedal. 10 knobs provide instant real-time control of all the most commonly adjusted parameters, and optional controls via MIDI or expression pedal keep the full power of the Modfactor within easy reach.
Tap Tempo and MIDI clock sync blend effects seamlessly into any song, and 27 user presets (unlimited presets through MIDI) make it unnecessary to make notes and drawings to find that perfect setup every time.
Rugged cast metal construction means your Modfactor is ready for the road, and guitar or line-level inputs make it incredibly flexible.
Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petruccl, and Adrian Belew to name a few. Now these effects are portable and affordable. Stompbox simple, ModFactor fits on your pedalboard or in your gigbag.
NO LlMITS
Flexibility Built-in
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and my parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly to a wide variety of amps and other foot pedals.
NO COMPROMISE
Studio Quality Effects at your feet
Top recording studios worldwide use Eventide effects on hit after hit. ModFactor includes Eventide's 10 best modulation effects from m the past 35 years without compromising qualify OR flexibility.
NO DEAD ENDS
Obsolescence is so 20th Century
Eay to upgrade; download new software from the Internet and install via USB.
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Eventide Reverb 2016
Eventide
The Eventide Reverb 2016 employs algorithms that are identical to the originals, but the hardware implementation is state-of-the-art. While re-creating the original SP2016 reverbs is the Eventide Reverb 2016's main purpose, it also features enhanced versions of the originals with more complex early reflections, higher density, and finer control of the parameters. Includes a high-performance, 24-bit DSP, 24-bit analog audio I/O, digital I/O, and MIDI interface. Easy-to-use interface with dedicated controls for each effect parameter. Up to 99 user presets can be stored. The Eventide Reverb 2016 represents the natural evolution of the development work that maxed out the processing power of the SP2016.
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Eventide TimeFactor Twin Delay Stompbox Pedal
Eventide
The Eventide TimeFactor Twin Delay Stompbox features 2 independent 3-second delays, studio quality sound, and 10 Stereo or Dual Mono Delay effects, including Digital Delay, Band Delay, Vintage DDL, Filter Pong, Tape Echo, MultiTap Delay, Modulated Delay, Reverse Delay, Ducked Delay, and Looper.
Change programs instantly, enjoy real-time control with 10 knobs, MIDI or expression pedal. Set effect rates with Tap Tempo and MIDI Clocksync. Also has 27 User Presets, a 12-second Looper, unlimited presets through MIDI, and true analog bypass.
Rugged cast metal construction, metal footswitches for Instant Preset access, mono or stereo operation, and gutter or line level inputs and outputs.
NO COMPARISON
Nothing Sounds Iike an Eventide
Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Frlpp, John Petruccl, and Adrian Belew, to name a few. Now, for the first time, these effects are portable AND affordable. Stomp-box simple, TimeFactor fits on your pedalboard or in your gigbag.
NO LIMITS
Flexibility Built-in
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedaIs.
NO COMPROMISE
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's 10 best delay effects from the past 35 years without compromising quality OR flexibility.
NO DEAD ENDS
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
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Everly 7011 Acoustics 80/20 Light Acoustic-Electric Guitar Strings
Everly
Gauges: 11-15-23-32-42-52.
Not all acoustic strings are made for acoustic-electric guitars. Designed specifically for the acoustic-electric player, Everly Acoustics 80/20 bronze strings provide an incredible range of super crisp tone. Using input from top session players, Everly Strings spent nearly a year in development, coming up with the perfect core/wrap ratios and tensions for use on different guitars with varying electronics. These strings maximize the acoustic-electric player's desired sound.
A super high-tension winding technique maximizes string density and consistency while providing incredible sustain and resonance particularly suited for acoustic-electric players. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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Everly 7012 Acoustics 80/20 Medium Acoustic-Electric Guitar Strings
Everly
Gauges: 12-16-26-34-44-54.
Not all acoustic strings are made for acoustic-electric guitars. Designed specifically for the acoustic-electric player, Everly Acoustics 80/20 bronze strings provide an incredible range of super crisp tone. Using input from top session players, Everly Strings spent nearly a year in development, coming up with the perfect core/wrap ratios and tensions for use on different guitars with varying electronics. These strings maximize the acoustic-electric player's desired sound.
A super high-tension winding technique maximizes string density and consistency while providing incredible sustain and resonance particularly suited for acoustic-electric players. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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Everly 7210 Acoustic Sessions Phosphor/Bronze Extra Light Acoustic Guitar Strings
Everly
Gauges: 10-14-24-30-38-47.
Phosphor bronze alloy construction enhances sustain and durability. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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Everly 7210-12XL Acoustic Sessions Phosphor/Bronze Extra Light 12-String Guitar Strings
Everly
Unparalleled response and continuity, smooth and balanced for studio work. Phosphor bronze alloy construction enhances sustain and durability. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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Everly 7211 Acoustic Sessions Phosphor/Bronze Light Acoustic Guitar Strings
Everly
Gauges: 11-14-23-30-38-48.
Unparalleled response and continuity, smooth and balanced for studio work. Phosphor bronze alloy construction enhances sustain and durability. Everly employees have no daily production quotas, only quality tolerances. These acoustic guitar strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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Everly 7212 Acoustic Sessions Phosphor/Bronze Medium Acoustic Guitar Strings
Everly
Gauges: 12-16-25-33-43-53.
Unparalleled response and continuity, smooth and balanced for studio work. Phosphor bronze alloy construction enhances sustain and durability. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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Everly 7213 Acoustic Sessions Phosphor/Bronze Heavy Acoustic Guitar Strings
Everly
Gauges: 13-17-26-36-46-56.
Unparalleled response and continuity, smooth and balanced for studio work. Phosphor bronze alloy construction enhances sustain and durability. Everly employees have no daily production quotas, only quality tolerances. These strings were coiled by employees wearing surgical gloves to ensure that yours are the first human hands to touch them.
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