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4201 - 4225 of 41313 items
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ButtKicker LFE Sonic Shaker
ButtKicker
Designed originally for home theater use, the Buttkicker LFE Sonic Shaker has many applications for musicians, too, especially drummers playing electronic kits. Only 5-1/2" wide x 5-3/8" tall, it's easy to fasten a Buttkicker to a seat in your theater, to a drum throne for drummers, or under a floor box for bassists, and it simply plugs into a speaker jack on your power amp or receiver.
The Buttkicker provides the ultimate in low-end isolation, letting you monitor your bass drum or bass guitar without airborne sound waves. For drummers wearing headphones it is also a way to avoid hearing loss. If Buttkickers are mounted where other band members can feel the bass drum, you'll hear the whole groove really tighten up.
Buttkicker is also excellent for use in small studios where it provides accurate and powerful low-end monitoring.
Mounted to your home theater seating Buttkicker will bring soundtracks to life with awesome bass that doesn't involve deafening volumes and won't disturb your family and neighbors.
Throne mounting bracket and specialized amplifier available separately.
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ButtKicker Mini Concert Sonic Shaker
ButtKicker
The Mini Concert Sonic Shaker has a frequency range from deep bass to lower midrange, with awesome transient response. It drastically reduces the need for airborne low frequencies from subwoofers and is excellent with in-ear and near-field studio monitors. Superb for monitoring many instruments, including drums, bass, guitar, and keyboards, and it's amazing in the studio with headphones. It weighs less than 2 pounds and requires less than 200W at 2 ohms. Easily mounts to thrones and seats with optional Drum Throne Mounting Bracket-shown in the box of recommended products.
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ButtKicker Power Amplifier
ButtKicker
Designed specifically to power the ButtKicker LFE and Concert, the BKA1000-4A is an incredible value, chock full of features designed to make the installation and operation of the ButtKicker easier and more affordable. And because it comes in either 120V or 240V it can be used around the world.
No preamplifier is required. For home theater, just use a RCA cable to go from your processor's subwoofer out to the RCA input on the ButtKicker Amplifier. Then, use 12-gauge speaker wire from the amplifier to the ButtKicker. It's as simple as that - plug 'n play. With 1100W into 4 ohms and 2100W into 2 ohms, the BKA1000-4A is able to power one or two 4 ohm ButtKicker Shakers (when wired in parallel).
With the low cutoff in the "on" position frequencies less than 25 Hz are filtered out. This is ideal for musicians who do not need nor want the ButtKicker Shaker to "see" anything below 25Hz. When the low cutoff is in the "off" position all frequencies are passed on to the ButtKicker - ideal for home theater use and the low frequency response the ButtKicker has become known for.
With the high cutoff in the "on" position, frequencies above 40 to 160 Hz are filtered out - meaning only frequencies below 40 to 160Hz are passed to the ButtKicker. The variable high cutoff filter control allows you to set the high cutoff from 40 to 160 Hz. This is ideal for home theater use when only low frequencies are wanted. Conversely, when used by musicians, leaving the high cutoff switch in the "off" position enables the ButtKicker to respond to all frequencies in its natural working range of 5 - 200Hz.
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ButtKicker Quick Connect Quick Select Package
ButtKicker
Also functions as an on/off selector switch for the Buttkickers. Includes: Quick Connect-Quick Select Box; 4 - 12' lengths of 14-gauge speaker cable with banana connectors for connecting Buttkickers to the Quick Connect-Quick Select Box; One 20' 14-gauge speaker cable for connecting the Quick Connect-Quick Select Box to the Buttkicker Power Amplifier; RCA "Y" connector and speaker level interface adapter to split the subwoofer out from either a professional or consumer A/V processor to allow the use of a subwoofer and the Buttkicker.
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ButtKicker Sonic Shaker Package with Nady
ButtKicker
The package includes the ButtKicker Concert (482251 - see customer product box) and Nady XA-900 Power Amp (482052 - see customer product box), making it the most affordable ButtKicker setup to date. Use it in conjunction with in-ear monitoring to really FEEL those low frequencies!
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ButtKicker Wireless Link (RF)
ButtKicker
Wirelessly send and receive audio signal from an A/V processor to the Buttkicker Power Amplifier. Includes transmitter, receiver, and 2 RCA male to male cables. Sends audio signal from the subwoofer or line out of the A/V processor to the input of the ButtKicker Power Amplifier. 900 MHz bandwidth. Frequency range of 5-350Hz.
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C Tech Pocket Rock-It S1 Standard Guitar Headphone Amp
C Tech
The battery-powered Pocket Rock-It S1 Headphone Amp allows you to practice silently in any location, and to have great tones at your disposal. The rotating input plug has 90 degrees of motion, so the S1 headphone amp can plug into any guitar jack-no cable needed!
The Pocket Rock-It headphone amp gives you 1 clean and 2 dirty settings for lots of tonal versatility. The Filter control is a continuously variable EQ that adjusts high and mid-range frequencies of the amp emulation model selected.
If you do decide to let the rest of the world in on your Pocket Rock-it S1 sessions, use the line out for recording or preamp applications. Jam with your CDs or MP3s with the headphone amp's line in.
The C Tech Pocket Rock-It S1 is designed, developed and engineered in the USA.
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C Tech Pocket Rock-It S1b Standard Bass Headphone Amp
C Tech
The battery-powered Pocket Rock-It S1b is a bass headphone amp that allows you to practice silently in any location, and have great tones at your disposal. The rotating input plug has 90 degrees of motion, so the S1b headphone amp can plug into any bass guitar jack - no cable needed!
With a "big" or "tite" setting, you'll always have the tone you need for the style you're playing. The Filter control is a continuously variable EQ that adjusts high and mid-range frequencies of the amp emulation model selected.
If you do decide to let the rest of the world in on your Poacket Rock-it S1b sessions, use the line out for recording or preamp applications. Jam with your CDs or MP3s with the bass Pocket Rock-It's line in.
the Pocket Rock-It S1b Bass Headphone Amplifier was designed, developed and engineered in the USA.
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C Tech Pocket Rock-It Standard Bass Headphone Amp
C Tech
Rotating input plug design enables it to be plugged into any bass regardless of input jack location. Also features patented dynamic range control circuitry to provide natural tube-style tone. 3 preset EQs: bright, fat, and slightly distorted. Line input and output for play-along, direct record, and use as a preamp. You can even connect 2 Pocket Rock-Its together and and jam with a buddy. Also allows use of external effects. Powers with a 9-volt battery and includes lightweight headphones.
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C Tech Pocket Rock-It Standard Headphone Amp
C Tech
The C Tech Pocket Rock-It Standard Headphone Amp plugs directly into your guitar producing a natural tone that emulates a tube amp. With patented PRX Overdrive circuit and variable EQ control with clean, distorted, and overdrive settings.
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C Tech Pocket Rock-It V1 Guitar Headphone Amp
C Tech
The battery-powered Pocket Rock-It V1 is a headphone amp for guitar that allows you to practice silently in any location, and to have great tones at your disposal. The rotating input plug has 90 degrees of motion, so the V1 headphone amp can plug into any guitar jack-no cable needed!
Two clean and two dirty settings, with separate effects for double and chorus give you tons of tone versatility. The Filter control is a continuously variable EQ that adjusts high and mid-range frequencies of the Pocket Rock-It amp emulation model selected.
If you do decide to let the rest of the world in on your Pocket Rock-It V1 sessions, use the line out for recording or preamp applications. Jam with your CDs or MP3s with the line in or connect two Pocket Rock-Its and jam with a buddy (adapters and cables included).
The Pocket Rock-It V1 Guitar Headphone Amplifier was designed, developed and engineered in the USA.
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C Tech Pocket Rock-It V1b Bass Headphone Amp
C Tech
The battery-powered Pocket Rock-It V1b Bass Headphone Amp allows you to practice silently in any location, and to have great tones at your disposal. The rotating input plug has 90 degrees of motion, so the V1 from C Tech can plug into any bass guitar jack-no cable needed!
The Pocket Rock-It Bass Headphone Amp's 2 "big" and 2 "tite" settings, with separate settings for active and passive pickup simulation give you tons of tone versatility. The Filter control is a continuously variable EQ that adjusts high and mid-range frequencies of the amp emulation model selected.
If you do decide to let the rest of the world in on your V1b headphone amp sessions, use the line out for recording or preamp applications. Jam with your CDs or MP3s with the line in or connect two Pocket Rock-Its and jam with a buddy (adapters and cables included).
The C Tech Pocket Rock-It V1b Bass Headphone Amp is designed, developed and engineered in the USA.
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C Tech Pocket Rockit 9V NiMh Batteries (2)
C Tech
These 8.4V Nimh rechargeable batteries are suitable for use in all 9V applications and feature a nominal capacity of 200mah. A flat discharge curve and high nominal voltage ensure that your sound will always remain consistent. Recharge with the C-Tech 9V Nimh Battery Charger.
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C Tech Pocket Rockit V2 Guitar Headphone Amplifier
C Tech
The C Tech V2 Pocket Rockit Headphone Amplifier captures the tonal heritage of 50 years of guitar amp design. It combines analog and digital signal processing to reproduce classic tube amp tones. A proprietary DSP engine provides awesome digital effects such as reverb, delay, chorus, and flange, while an analog front end generates classic amp emulation tones.
You don't even need a cable. Like all Pocket Rockit products, the V2 plugs directly into any guitar. Just plug it in, put on your headphones and you're ready to rock 'n' roll. You can even play along with your favorite CD. Best of all, the V2 sounds better than many full-blown amplifiers.
The C Tech V2's amp emulation circuitry models vintage and current classics. The Clean amp button scrolls through 3 clean or slightly over-driven tones. The Dirty amp button scrolls through 3 gnarly, positively nasty high-gain selections. Sounds reminiscent of classic Fender, Marshall, Soldano and other amps are at your fingertips.
This headphone amp has 2 independent DSP effect banks: a delay bank with straight delay, flange, and chorus: and a reverb bank that includes arena reverb, small-hall reverb, and an echo effect. Use any effect independently, or use one from each bank simultaneously.
A digital tuner features audible low-E, A, D, G, B and high-E notes. Tri-colored LED indicates flat, sharp, or in tune. It's a perfect tool for improving your ear. A built-in click track/metronome has a naturally- sampled snare drum hit - there's no annoying buzz or tone. The Pocket Rockit's metronome has adjustable tempos between 60 -180 bpm provides a great way to work on your time.
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Cable Corp Hi-Z Mic Cable XLR to 1/4" 20 Foot
Cable Corp
This high-impedance shielded cable allows you to connect a Hi-Z microphone directly to the 1/4" phone jack of a guitar amp or Hi-Z mixer. Perfect for harp players. Features a heavy-duty jacket and connectors for durability.
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Cable Corp Right Angle 1/4"-1/4" Patch Cable 1 Foot 6-Pack
Cable Corp
Replace your noisy, worn out, crackling old patch cables with some brand new ones today! Good quality patch cable designed for linking together effects pedals quickly and easily. Flexible and durable with molded ends and added strain relief.
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CAD 4-Piece Drum Microphone Pack
CAD
The CAD 4-Piece Drum Microphone Pack is a carefully selected complement of CAD mics that will accurately reproduce every part of your drum kit's dynamics. They include three TSM411 dynamic mics for snare and toms and a KBM412 large-diameter kick mic. Also included are three DSM-1 mic mounts and a custom road case for safe transport.
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CAD 6-Piece Drum Mic Pack
CAD
With the CAD 6-Piece Drum Mic Pack you'll wonder how you can get mics this good for this amount of money. This collection of CAD mics that are optimized for percussion includes 3 TSM411 dynamic mics for toms and snare; 2 GXL 1200 condensers with windscreens for hi-hats, cymbals, and overheads; and a KBM412 large-diameter dynamic kick mic. 3 DSM-1 mic mounts and a custom road case are included.
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CAD C195 Cardioid Electret Condenser Microphone
CAD
The CAD C195 is a superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians. It provides the performance and features to satisfy today's most demanding professionals.
Its wide, flat-frequency response provides unsurpassed natural transparent sound. The cardioid pickup pattern minimizes annoying feedback and reduces the pickup of unwanted off-axis sounds. A transformerless electronic design provides optimum low-frequency response and low distortion. An effective internal multistage pop filter minimizes wind and breath noise.
The CAD C195 has a Flex-Form hardened steel grille screen that dramatically resists deformation while greatly reducing any risk of adverse performance caused by a bent or dented ball screen. This unique ability to retain its original shape assures that the CAD C195 will maintain its attractive appearance.
The C195 features the CAD exclusive (I.N.R.-3) Impact Noise Rejection system. A proprietary rubber shock mount isolates the transducer from the barrel, thus dramatically reducing cable, stand, and handling noise. The need for any external shock mounting device is virtually eliminated.
The low-frequency response of the CAD C195 may be enhanced by increasing or decreasing the distance from the sound source. This phenomenon is technically known as "proximity effect . Nominal or "flat response is generated at a distance of 24 inches or more. However, as the distance to the sound source decreases, the bass sensitivity increases, providing a solid, robust character.
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CAD CM100 Hanging Mini Gooseneck Condenser Microphone Black
CAD
The CAD CM100 Hanging Mini Gooseneck Condenser Microphone has a wide, flat frequency response providing unsurpassed, transparent and professional sound quality. The cardioid pickup pattern minimizes annoying feedback when the CAD CM100 is used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off-axis sounds.
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CAD CM100 Hanging Mini Gooseneck Condenser Microphone White
CAD
The CAD CM100 Hanging Mini Gooseneck Condenser Microphone has a wide, flat frequency response providing unsurpassed, transparent and professional sound quality. The cardioid pickup pattern minimizes annoying feedback when the CAD CM100 is used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off-axis sounds.
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CAD DSM-1 Drum Mic Mount
CAD
A heavy, die-cast drum mic mount with a slick, locking cam that attaches securely to any standard drum, yet removes easily. Thick rubber pads protect the drum finish, while a neoprene-surround insert (threaded for standard mic clips) offers additional shock isolation. Includes a 3" extender.
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CAD e300 Multi-Pattern Condenser Microphone
CAD
The CAD e300 Multi-Pattern Condenser Microphone captures transparent, airy uppers and mids, coupled with a rich, silky smooth low end. Combining lightning-fast transient response and pinpoint precision with an enormous upfront presence, the e300 offers uparalleled performance from critical studio tracking scenarios to live reinforcement. The 1.1" 24K gold-sputtered dual-diaphragm condenser capsule is hand dampened for consistent frequency response. A hi-pass filter features 6dB octave @ 80Hz, and a 20dB non-capacitive pad. The stainless/brass triple stage pop/EMI filter delivers unmatched ballistic stability, with high SPL characteristics and plosives control. Sophisticated laser trimmed op-amp circuitry provides increased management of fast transient response. Frequency response of 10Hz-20 kHz.
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CAD e60 Cardoid Condenser Microphone Black
CAD
The Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. P24 (24V) or P48 (48V) phantom power is required. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat.
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